June 6, 2014 - August 24, 2014
This exhibition organized by the Syracuse University Art Gallereis highlights Homer’s fascination with coastal and nautical scenes as an illustrator and special correspondent for the American pictorial press. The images include early illustrations for periodicals including Frank Leslie’s Illustrated Newspaper and Harper’s Weekly ,as well as rare lithographs and large etchings made after Homer’s paintings. The exhibition defines Homer’s transition from an illustrator of the pre- and post war years through his travels abroad that mark his evolution to the pre-eminent American painter of the late 19th century.
This exhibition, curated by Andrew Saluti, Assistant Director of the SUArt Galleries, features forty-one original prints including wood engravings, lithographs, and etchings. The exhibition is drawn from the permanent collection of the Syracuse University Art Collection, and focuses on the illustrious career of Winslow Homer as a draftsman and printmaker.
June 6, 2014 - November 15, 2014
The exhibition features five landscapes from the permanent collection painted by George Inness between 1860 and 1882. These stunning works of art reveal the artist’s diverse painting methods and approaches during the middle of his career—from detailed depictions of nature to gestural brushwork and vague landscapes. His paintings, often referred to as Tonalist, were deeply influenced by the spiritual teachings of Emanuel Swedenborg.
Bartlett Arkell’s collection of late 19th and early 20th century American paintings and the use of his collection to market Beech-Nut products is the focus of this exhibition. The exhibition is on display in Arkell’s original gallery and in new exhibition spaces.
Bartlett Arkell, founder of the Canajoharie Library Art Gallery and the first President of Beech-Nut Packing Company, encouraged his marketing staff to use his collection in their print ads. The result of this borrowing of images from oil paintings created by artists such as Edward Gay and J.G. Brown, was a series of ad campaigns that brought “art to the masses” and linked the virtues found in the paintings with Beech-Nut gum and food products. Museum visitors have the opportunity to use images from the collection to create their own Beech-Nut advertisement to take home or mail as a postcard.
Exhibition funded, in part, by the New York State Council on the Arts, a State Agency.